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Winner:
Best Music Event
Brighton Festival and Fringe
2011.

Sounds from Sarah Angliss:

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Latest events

View all forthcoming and recent events.

Aberdeen: British Science Festival

Cornwall: The Odditorium @Port Eliot

Faversham: Henry Dagg and Friends

London SW7: Supersonix Festival

London: The Odditorium @The Horse Hospital

Edinburgh: Rocket Lolly

Brighton: Rosi's Tinted Spectacles

Sheffield: Lovebytes Festival

Brighton: Radio City Theatre

Brighton: Rocket Lolly (open rehearsal)

Manchester: QED - science and skepticism conference

Brighton: Catalyst Club

Plenty of Time for Play

Thanks to all of you who came to see Spacedog and Project Moonbase at Rocket Lolly this weekend. I had a wonderful time, playing theremin and sharing my archive of peculiar vintage science clips. As you can probably tell, I spend a lot of time in the archives, hunting for treasure. We’d love to take the show to other destinations so do get in touch if you’d like to host a Rocket Lolly evening at your venue or festival.

Those of you who came to the show might be interested to hear this number from the archives again. It’s a wonderfully optimistic song about the future of women’s lives in the age of electricity, recorded in 1935 by the Norwich Corporation Electricity Department. The song features Helen Raymond and the Sydney Baynes Orchestra. It’s available from archive.org under a Creative Commons Licence.

Rocket Lolly in Edinburgh (Sunday 15 April)

For one night only, Spacedog are taking over the big, BIG screen at the Ghillie Dhu, Edinburgh, and showing vintage infrasonic terrors, smoking robots, mind control experiments, space age fashions, bizarre time and motion studies and other gems from the archives. A feast of scientific and technological curiosities on film, from 1900 to present day, Rocket Lolly makes its Edinburgh debut on 15 April, bringing the International Science Festival to a close. Many films are accompanied live by Spacedog on vocals, vibes and theremin and the night will include some live performances from our robot pals.

Rocket Lolly
8pm Sunday 15 April
The Ghillie Dhu, 2 Rutland Place, Edinburgh EH1 2AD
90 minute film-show with live music followed by a DJ set
Tickets £10 (£8)
Buy your Rocket Lolly tickets online

On the night, we’re teaming up with Edinburgh’s finest retro-futuristic outfit Project Moonbase who are making a rare visit to planet Earth. They’ll be on hand to answer your queries about the future and to turn the Ghillie Du, Edinburgh, into the finest space age cocktail lounge as DJ Bongoboy takes to the wheels of steel. Hear a preview of Project Moonbase on iTunes.

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Lovebytes Festival

This weekend, I’m heading to Sheffield to perform at the Megadork, an electronic cabaret for the city-wide Lovebytes Festival. I’ll be there with fellow Spacedog Jenny Angliss, my theremin and a few of our robot pals. Our set will include a new number featuring The Ventricle, my ox blood red 1960s handbag which pulsates like a human heart.

The Megadork is at the Showroom Cinema, Sheffield, 7pm, on Friday 23 March – see the Lovebytes website for tickets. On Saturday lunchtime, we’ll be performing for free in the Winter Gardens for the Lovebytes headphone festival. On Friday night, we’re sharing the bill with some very fine fellow hackers, including one of my heroes Paul Granjon. If you’ve never seen him in action, here’s an early film of him with his cybernetic parrot sausage…
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Voices recorded on wax at QEDCon

I’m back in Brighton after performing at QEDCon, a festival of talks and performances exploring science, technology and skepticism. Thanks so much to the organisers and volunteers for making the weekend run so smoothly – Stephen Hiscock and I had a fine old time.

Those of you who saw my talk ‘Voices of the Dead’ might enjoy this video. It features the voice recording I made on wax during the show, using an Edison phonograph. You can hear three voices. The first is Helen Chorley, reciting a poem, and the last is me, signing off. If any of you can pass on the name of the plucky individual who talks between Helen and me, I’d be really grateful.

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Find Us – music from the Voyager golden record

Find Us is a miniature I’ve composed using sounds from the Voyager golden record. You can download it free as part of Soulless Party’s album Electronic Encounters – Special Edition.

This year we’ll be celebrating two thirty-fifth birthdays. In November 1977, Columbia Studios released their blockbuster Close Encounters of the Third Kind, arguably the film with the most gratuitous use of the Arp 2500 modular synthesizer. And just a few weeks earlier, NASA launched Voyager 1 and 2, probes which took stunning images of the outer planets before taking a slingshot around Saturn and Neptune to journey out of the solar system. Voyager 2 is now around 11 billion miles from Earth, in the outer reaches of the heliosheath, the bubble of solar wind which envelopes the solar system. It will soon be out of the heliosheath and travelling into deep space.

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Debut album: Juice for the Baby is here!

Exciting news:

After many years exclusively playing live, my award winning human, theremin and robot band Spacedog have launched our debut album. It’s called Juice for the Baby and you can listen to the whole album, download it or buy a physical CD here.

Spacedog creates live music for theremin, vocals, saw, percussion and our famous uncanny musical robots. Our work reflects our obsessions with defunct machines, faded variety acts and the darkest English folk tales.

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The Bird Fancyer’s Delight (BBC Radio 4 doc) – notes

This Radio 4 documentary aired at 1:30pm on 5 July 2011. It’s repeated at 3:30pm on Saturday 9 July.
Now available on the BBC iPlayer.

For those of you who would like to know more about The Bird Fancyer’s Delight, here’s a bumper crop of references I’ve found over the last few months, including transcripts from the British Library, music excerpts, photographs of a serinette and details of contributors to the show. I hope you find them interesting.

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Ukulele envy

As a thereminist who performs live with robots, the only time I suffer ukulele envy is when I have to set up or strike a show. After years of arm ache and stress before gigs, I’m trying to adopt the carefree life of the ukulele player by re-engineering my equipment so it can be carried on the bus, wheeled onto the stage, plugged into a DI box and played. The life of the ukulele player doesn’t need to be the stuff of fantasy – that’s why I’ve thrown myself into this re-engineering task – a job that’s unglamorous but essential. Currently, you’ll find me obsessing about flight cases and castors and pouring over ebay pictures of old prams.
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